The next issue in the Korvac saga brings us to Avengers Mansion where The Beast, Captain America, and the Scarlet Witch are reacting to an alarm. Turns out it is Nick Fury on the SHIELD space station, where he appears to be drunk. Maybe this is why David Hasselhoff decided to play him in that horrible television movie? Anyway, the call is made for the Avengers to Assemble. But Iron Man is late. Turns out Tony Stark is on the space station with Nick Fury. He excuses himself to head back to Earth…in order to get into his Iron Man gear and head BACK to the space station to handle the crisis with the team.
Why? There was no reason to do this but to kill a few panels of space in the comic. This is what blows my mind about Iron Man in the comics. There is absolutely no reason for him to keep his identity secret. None. For any friend or family member that would be in danger, he is soaking in so much money that he could pay for security for the people he loves ten fold. The fact that his identity was kept secret during this era when the Fantastic Four, another group that had tons of money but had their identities out there for all to know, just tells me that the folks at Marvel weren’t thinking correctly. The movies had it right. Someone as rich as Tony Stark would have an ego. He would LOVE to have the world know he is Iron Man. Hell, let’s say he doesn’t tell the world. Why would he not tell The Avengers his secret? It would make the situations that Tony faces as the leader at this time a little easier to go through when Captain America gets pissed at him. It just created unnecessary conflict. Problems for the sake of problems.
Turns out a big space station has appeared out of nowhere that SHIELD wants The Avengers to investigate. They board the ship only to find the Guardians of the Galaxy. The Guardians inform the Avengers that Korvac has come back in time in an effort to kill the Guardians leader, Vance Astro (not the best name you can give a hero. Sounds like the name of a porn star.) There’s reminiscing and then we switch scenes and see Janet Van Dyne Pym, The Wasp, as she shows off her fall collection.
Yes, The Wasp, when she’s not a super hero, is a fashion designer. Now granted, this is part of her character from day one but it is still annoying as hell. But hey, I’m not going to like every character. Hank Pym is in the audience along with Nighthawk and a strange man who stares intently at one model and says nothing throughout.
Out of nowhere the fashion show is disrupted when a group of criminals with their leader barge in demanding everyone’s money. The leader? His name is The Porcupine. This comic came out in 1977 and they’re naming bad guys with names that would have been made fun of in the 40’s. What, does the guy have the proportional strength of a porcupine? Was he stung by a radioactive porcupine and now is pissed off at the world?
Characters like this are why people made fun of comics for years. While the character is never shown as much of a threat in this issue, it is annoying to see such a pathetic character being presented as anything resembling a threat. It was like watching the WWE in the 1990’s when they had characters like Mantaur, Doink the Clown, the Repo Man, or Irwin R. Shyster. These were characters that, while the wrestlers playing them were fine wrestlers, were never, ever going to be considered as any sort of real threat towards the champion or would ever be taken seriously as athletes. Why couldn’t they come up with something novel like having criminals that were just, you know, criminals? I know that’s a wild idea and all that but at least at this point in time it was still so insane an idea to use that they had to come up with a character called The Porcupine and try and make him appear as if he were a real threat.
The end of the issue was intriguing. An unknown character who earlier had been ogling a model, sets eyes on the model when all hell had broken loose. She’s entranced by him and they meet, embrace, and end up disappearing. This was a nice little way for the issue to end because while this issue ended up resolving, thankfully, it gave you enough intrigue to see what happens in the next issue. While I may end up disappointed, it was a nice way to end the issue.
The artwork was top notch apart from the clothing. I don’t know, I think that too often I have seen DC and Marvel during the ages try and present their characters in ways to make them appealing to people of that time. By the time the issue comes out, whatever fad the creators wished to bank on was probably over and close to forty years later now the characters just look plain stupid when they’re dressed like people of that time. Why they could not dress the characters in neutral clothing is beyond me. I mean, these comics are supposed to be timeless stories, why could they not be drawn as such?
This is not a good second issue. Despite my criticism I’m not going to go so far as to say the issue was bad but it simply doesn’t stand the test of time. One annoying part I forgot to mention was the stupid flashback at the beginning of the issue. Show, don’t tell is a common adage they give writers. The writers of this issue forgot that by having the Guardians tell the readers what happened when Thor teamed with them. Yeah, it could be argued that there are some readers who have not read other issues with characters they may not like so having a refresher on what happened is not a bad idea. While I agree with that, I do think there could have been a much better way of retelling the story. Even something as having The Avengers scan security tape of Thor’s adventure would have been better than just people talking.
So yeah, it’s not horrible but I cannot recommend reading this issue. It’s a part of the Krovac saga so if you want to read that story from start to finish you have no choice. This is just not the type of story that you read just for the hell of it. It’s like the Star Wars prequels. You watch them just to say you did and you move on.