The Amazing Spider-Man #2

The second issue of The Amazing Spider-Man gives us two stories for the price of one. We meet up with one member of Spider-Man’s famous rogues gallery when we meet The Vulture. We also meet up with a lesser known villain in The Tinkerer.

Stories from this era and earlier tended to be more on the simpler side. Where as stories today tend to take place over multiple issues and sometimes multiple titles, we see stories begin and end in singular issues. The benefit of course is that you money for the issue is well spent. You don’t have to spend a fortune to or invest in titles you may not like just to finish a story you may be interested in. The drawback of course is that there isn’t much room for the story to grow. You have simplistic stories with simplistic characters who we don’t know much about doing things just cause.

The Vulture is an interesting case. While he may not have the name recognition of The Green Goblin or Doctor Octopus, he’s someone I would put in the top ten of Spider-Man’s most formidable opponents. Yet his introduction is pretty basic. The only thing separating him from the average villain is the getup he uses to fly. We don’t know his name, he’s just a guy who wants to make a dishonest living.

The Tinkerer is a shorter story without too much of a purpose. We get Peter discovering a radio repair man is working with some supposed aliens to install monitoring devices in the radios of very important people. We are told it’s because they’re looking to take over the world yet according to Marvel’s own wiki we find that those supposed space aliens were a ruse and the Tinkerer is just a guy who knows his way around electronics. Readers of this era would not know that and would probably have assumed that the supposed aliens were the same Skrulls that were introduced in the second issue of The Fantastic Four.

Stan Lee recounts in numerous issues that he hasn’t always been proud of his work in comics. When asked by others he would say he was a writer. A writer of what? they would ask. Children’s work. What children’s work? Work for comics he would reply. Then people would walk away. So it is safe to say that, while I think he may be over doing his embarrassment of his work because otherwise why would he be doing it if he didn’t have some pride in his work, I do feel that it is safe to say that he wasn’t exactly thinking long term about the characters he created. Hindsight being twenty twenty, how could he not see the importance of his work? I mean, the best thing about superhero comics are the fact that no matter what evil happens in the real world, we have a chance to escape into a fantasy world where heroes just like you or I are able to defeat the villains that are intent on wrecking havoc on our world. Yet he had no way of knowing the impact he was making on our society. His work at this point, while I’m sure he loved what he was doing, was just a job. He, like any other writer, and Steve Ditko, like any other artists, were essentially throwing what they could at the wall in regards to content hoping something would stick. Their batting average during this time was amazing of course, that goes without saying. The drawback comes with the fact that the stories during this time were single issue stories.

While I have lamented on here multi-issue stories that span through multiple titles, the benefit of these types of stories is that they can shine more light on the villains of the work. The best work, whether it’s books, comics, movies, whatever, are able to flesh out all the characters in the story. While we will, as readers, react viscerally to the actions of villains in a story, we’re going to be more involved in the story if we know why the character is doing what they are doing. Take The Vulture. In this issue we see he’s intent on stealing. He’s created an amazing device that allows him to harness magnetism in order to fly so it goes without saying he is a smart guy. Yet like a common hoodlum he resorts to stealing. I personally want to know why. (I’m only talking in regards to this particular issue. The Vulture is a long time villain in the Spider-Verse and his story has been fleshed out a long time ago.)

Bottom Line:

While this issue won’t go down as the all time greatest Spider-Man story, it is a fine example of Lee and Ditko’s work during this era. As I have mentioned in my reviews of some of Brian Bendis’ work, with the sheer amount of content Stan Lee and Steve Ditko put out over their careers, not everything will be a winner. I could have done without the story of The Tinkerer myself but an issue that details the debut of a major villain like The Vulture will sure go down as a must read for me. Similar to listening to the first major songs of your favorite musicians, it’s interesting seeing where folks start out because you can see the glimpses of what made them great. While they were not firing on all cylinders at this point, more so for Lee than Ditko but I contend that is simply due to how comics were written at the time, the foundation of an amazing universe was being created and more often than not, they were doing more right than wrong. Probably my only real complaint would be the fact that the comic is so verbose. Like I said in my review of The Avengers #1, the writing comes across like it was being written for a radio play. Everything was described, almost like Stan was creating closed captioning for a comic book. The drawback of this approach is that it crowds out some amazing artwork from Steve Ditko. It seems superfluous to have a character state what they are doing when the artwork is showing the reader the same thing. As the old saying for writers goes, show your audience what you want to show them, don’t tell them about it. Less is more, especially in comics when the art can do so much of the storytelling for you.

Ultimate Spider-Man #21

We come to the end of the Double Trouble story featuring Peter facing off against Doctor Octopus and Kraven the Hunter. At this point Doc Ock has been handled and is ready for the police to take him off to wherever super villains are held. The battle with Kraven starts now.

That is if you can call it a battle. I’ve been holding back on Kraven because I knew where his story was going and that was really nowhere. Kraven is built up as some sort of bad ass hunter, a Steve Irwin meets Dolph Lundgren type, over eight issues of this story and within three pages and one punch to the face Kraven is down for the count.

If you are going to include a character as a villain and build him up as an unstoppable force you have to deliver on the promises you’re giving your readers. The introduction to Kraven in the Ultimate universe was a huge failure. Not that the character is bad mind you. I rather dug Kraven in the original comics and know that he will come back in the Ultimate line a little more dangerous than he is presented as now. First impressions mean everything though and the chance to have a truly modern bad ass Kraven hunting Spider-Man through the streets of New York was wasted on a scene that was more fitting in a Three Stooges film than anything else.

There are times where a failed buildup can be good for the story. I think of Iron Man 2 where Justin Hammer spent most of the movie talking about how great the improvements to the War Machine suit would make it. He talked on and on about various upgrades and the moment they actually get used in the film, they fail miserably. That was perfect for the story because it showed the audience how much of an utter failure Justin Hammer was. It also led to a great comedic moment when War Machine and Iron Man were fighting together and he attempts to shoot one of Hammer’s missiles to no effect whatsoever. The buildup and the subsequent failure of that buildup actually contributed positively to the story.

This issue is the textbook way on how you not to build up to something you’re not going to properly follow through. I would have no issue with Kraven being defeated. That’s the point of comics after all, the bad guy gets his due in the end. The issue all boils down to him being defeated so quickly as well as having him try to slink off before getting arrested. Kraven getting arrested had the same feel of King Arthur getting arrested at the end of Monty Python and the Holy Grail. You laugh at both resolutions but the Monty Python ending was intentionally meant to be funny.

The issue is not a total loss. Peter gets caught by Aunt May after the battle. He arrives home at three o’clock in the morning and Aunt May is up waiting for him. She has no clue he’s Spider-Man. She just has no clue what the hell kept a good kid like Peter out for so long into the night with no explanation. The emotions in the scene were quite real, making Aunt May a more fleshed out character in the process compared to the original version of her. It also goes to show how naive Peter is when it comes to his new powers.

One thing comics don’t do a good job with is how the heroes in question can live full, normal lives on top of fighting crime for hours or days on end. For a fifteen year old boy, how can he fight villains until three o’clock in the morning as well as going to school and having an after school job? The next issue shows Peter in school none the worse for wear. Not even one mention of being tired or needing a coffee. High school for me was my introduction to massive amounts of coffee. Why can’t Peter be sore or tired more often? Like Aunt May, why don’t more people notice that Peter is acting much different than he normally does? I think the only comic I’ve read that has a somewhat believable account of someone able to pull off a normal life and the life of a superhero is Iron Man. Tony Stark was already quite flighty in the comics, locking himself in a room to focus on his latest project so for him to disappear for long periods of time is very much understandable. How Peter is able to pull off Spider-Man without too many people noticing needs a little more explanation as to how he pulls it off.

Bottom Line:

This story has been tough to get through. It has some good moments to be sure, moments that will feature in future issues of this comic series. Yet the fact that we had at least two mistakes that are very much rookie mistakes, the failure to establish a back story between Doctor Octopus and Justin Hammer as well as the failure to follow up on the build to Kraven, lead me as the reader with a bad taste in my mouth. This eight issue story is really a what could have been type of story.

What can writers learn from this issue? For one, it’s important to establish relationships between characters you wish to have some sort of conflict with. You can’t write a comic book series or a book series and just expect to have two characters that are already established in a world to suddenly have a conflict with each other without establishing that they have some sort of connection. Secondly, follow through with your buildup. If you’re going to build up a character as some unstoppable force, you have to either follow through with that buildup or have a way through actions showing that the buildup was all a lie just like the Justin Hammer buildup in Iron Man 2.

The art for this issue was great during the scene with Aunt May and Peter. Mark Bagly is able to express so much emotion in her face during their argument. Concern, anger, despair, sadness, she runs the full gambit of emotions without the dialogue having to tell you how she is feeling.

Ultimate Spider-Man #20

As they say, the second time is the charm. Spider-Man faces off against Doctor Octopus again, this time in front of the eyes of the media.

What I digged in this issue was Doctor Octopus bringing attention to Justin Hammer’s evil experiments at his laboratory. It was quite unsuspected but I liked where it brought the story. I do have to ask though why the media would be dealing with a guy who has been established is a cold blooded killer as carelessly as they are. We’re not talking about an OJ Simpson type of criminal here, someone who despite being accused of a horrible crime still early on had a reputation as someone that you weren’t going to be scared around. Doctor Octopus brutally murdered a lab full of people on live television and the reporters here are treating him as if he were a celebrity. While I can see the reporters wanting to get that big scoop to help their careers, I would think they would at least call the cops too.

While having Doc Ock hold a press conference is definitely an out of left field idea that I find interesting, I have to ask what the end game for him was. While the first reaction as a reader would be that he was hoping to destroy Hammer through the power of the press, up until this point Doctor Octopus has been shown as a dangerous psychotic who has had no hesitations to kill people for his goal. He’s also shown that his memory is not what it once used to be. We also have the situation that up until this storyline we previously had no idea Justin Hammer existed and that he and Doctor Octopus had interactions with each other when Doc Ock was spilling corporate secrets to him.

What is Doctor Octopus trying to accomplish here? Is he someone that through his insanity is finally doing something good albeit in a very bad, messy way? Or is this a storyline that was pulled out of the ether and tried to fit into the existing universe? I choose the latter.

In a comic or book series, you will encounter situations like this further down the line of your creation where you have to create a story that had its seeds sown much earlier in the story. Whether it be one line that could seem throwaway at the time or the inclusion of a scene that details a history between characters that will be explained later, it is important for a writer to establish relationships as early as possible. The importance of doing this is twofold. One, you don’t confuse your reader by having characters that never met seem like the best of friends or the worst of enemies. Two, you’re rewarding the reader that has stuck through from the beginning by diving deeper into a world that the reader has invested themselves in. The reader benefits because it shows them that you’re just as invested in giving them a great story as you the reader are in reading it.

Comics are a unique beast in that especially with the big companies like Marvel and DC, they have to come out with material every month, if not quicker for titles that are released every two weeks. I am quite confident that if this were the second book in a series that Brian Bendis would have found the fact that a story he was looking to create did not have the seeds sown for it in previous issues. The fact that it isn’t addressed really makes this particular story quite difficult to get through.

Bottom Line:

These have been some real tough issues to get through. Maybe it’s because I am looking at this with a more critical eye instead of just as an average reader but the whole issue with the relationship between Otto Octavius and Justin Hammer is disappointing. It could have been one sentence by Norman Osborn expressing concern about a mole in his organization in a previous issue. Something would have been better than nothing. And let’s take into consideration the fact that maybe there is a throwaway line someone in a previous issue that I have simply forgotten about. I’ll admit it. I’m not perfect. If I missed said line, fine. But I still contend that the establishment of a relationship between two characters that are pretty big players in this universe deserves some sort of mention that will be memorable to the reader. Let’s say there is a line for argument’s sake explaining that there was a mole in Osborn Laboratories. The fact that twenty issues in I forgot it tells me that it was not a well done line explaining this history that this particular story hinges on.

Readers will probably have noticed that I haven’t mentioned much of Kraven in the reviews for this storyline much. There is a reason for that which I will address next issue. The buildup to the ultimate showdown between Kraven and Spider-Man is fine. The payoff is about as successful as my first attempts at dating.

One thing that really stands out this issue is the art. A majority of the pages are devoted to the big battle between Doctor Octopus and Spider-Man. With a character that has multiple arms, I can imagine it would be hell for the artist to create fight scenes that don’t get the reader lost. You want to have some semblance of reality when you’re going into a big fight. If Spider-Man is getting hit with one of Doc Ock’s arm’s, which arm did the hitting and from what direction? Mark Bagly does a masterful job of not only being an amazing artist but a good stage director. While it could be argued that Peter defeated Doctor Octopus a little too quickly, the fact that you can follow a multipage fight scene and not be lost as to what is going on says a lot for the art. Plus the little bits of humor Bendis and Bagly toss in during the fight breaks up the monotony with some laughs.

Ultimate Spider-Man #18

   If in Star Wars, if instead of getting his ass handed to him just like what occurred in The Empire Strikes back he swiftly defeated Vader with no effort at all we would have a situation where all that tension, all the buildup for how evil the bad guy was would be all for naught. When you’re building up a villain you have to make them a villain worth defeating so it is wise to have a confrontation with that villain where you initially fail.   Peter fails miserably this issue. Since he survives the ordeal that is not necessarily a bad thing because in failure we can learn a lot. He’s learned some valuable lessons so far but the fact remains that in his particular profession there is still much for someone in his position to learn. Situations aren’t always so black and white as folks may make you believe.

   One big lesson Peter needs to learn and learn fast is to not dive into the deep end of the pool if he doesn’t know what is waiting for him. Even 18 issues in we find him making decisions that are just foolhardy and quite ignorant. If you have no clue the strength of the person you want to face off against, what sense does it make for you to just drop in and start making fun of the guy. Peter learned quickly that Doctor Octopus physically outmatched him in most every way, most importantly with the ability to break his webbing. It’s little things like this that show you just how out of his element Peter is in. Another person would have done what they could to prepare for any and all circumstances that come their way. He should have stress tested the webbing apart from seeing if it could hold his weight. This is a lesson learned on his part for the future and something that he will not soon forget.

   It is interesting seeing the progression of Spider-Man in the Ultimate universe compared to how he evolved in the original Marvel Universe. Up till this point in Earth-616, Peter Parker was pretty much the ass kicking person we all know today. There wasn’t too much of a learning curve for him. One day, he was Spider-Man. That didn’t mean he breezed through every encounter with bad guys like nothing happened. Some challenged him along the way and tested him to his very limits. But there wasn’t much of a learning curve he had to endure.

   The Ultimate Universe has been quite different. While the parent in me is cringing at some of the foolhardy things Peter is doing to honor his Uncle, I appreciate that Peter is learning from his mistakes, even if those mistakes bring him one step closer to death. So far he has not made the same mistake twice.

   We also spend some time this issue exploring what could potentially happen to Peter if others found about him being Spider-Man. Another good element of the Ultimate Universe so far has been the fact that we’ve been exploring the results of actions the heroes and villains meet during their rumblings with each other. As a reader, logic does creep in your head when you’re reading stories like this. You do ask yourself how are people not noticing that a fifteen year old boy appears to be getting beat on a regular basis? He’s a nerd in school so shouldn’t Aunt May be a little more concerned that he has more bumps and bruises than a kid that age should? Wouldn’t teachers or school officials start getting suspicious and consider calling the authorities? You would think that a kid who lives with his Aunt and Uncle and having the Uncle brutally murdered like Uncle Ben was in front of Aunt May would be someone who would be a prime candidate for an elder to lose it and start whaling on Peter for no good reason. Having Peter fight the people he does without bumps or bruises that he has to explain is unrealistic. I am glad Brian Bendis is addressing this by having the closing panel of the issue have Aunt May coming down into the basement where Peter had just been with Mary Jane, who was bandaging him up after his fight with Doc Ock. That panel introduces a level of reality that was missing from the original stories up to this point, 18 issues in. Yes, there is some level of disbelief in these stories and you do have to check your brain at the door because this is not a documentary. But once elements that occur during a normal life happen in ways that we know cannot possibly happen, the reader is left on the outside looking in to a bad story.

Bottom Line:

   We are one more issue into this story detailing Peter’s first real encounter with Doctor Octopus. So far things are coming along quite nice. Are there things to nit pick about? Of course. I do think there are some elements of the story so far that are not up to where they need to be especially when it is coming to the motivation for Doctor Octopus. Why is he doing what he is doing? What made him single out the energy station? What is his end game? What is he working toward? Answering that he is just nuts is the wrong answer. Regardless of his mental state, in a story like this there has to be some motivation for people doing what they are doing. If your villain is doing things just cause, there is not coherence to the story. While it could be argued that I should have a little patience and wait for everything to play out, I argue that there could be a lot more explanation for what Doctor Octopus is doing. We are lacking that and that is making me as the reader a little confused as to why he is doing what he’s doing.

   The art was pretty solid this issue. I really enjoyed the level of scope that Mark Bagly was able to create in this story. When they had exterior scenes, you felt you were outside in a real environment. Internal scenes felt like they were occurring in real buildings that were either big or small. While the artwork can’t always be classic, when the little things like this are done well it goes a long way towards making your reading time enjoyable. This is a lot like the Star Wars Prequels in a way. The story so far has not been the best but there is always something going on that will keep your interest.

Ultimate Spider-Man #17

Quoth the Kraven, I’m gonna kill me a Spider-Man! We find Kraven featured in this issue. He was introduced last issue when he arrived in New York threatening to kill Spider-Man. Kraven in the Ultimate Universe is a reality television show host, sort of like a demented Steve Irwin type of character.

Call me crazy but I don’t care if we were talking about a crazed Bill Cosby chasing around women with a bottle of Quaalude’s, if some announced on television they had the intention of killing him on national television simply for the ratings I cannot imagine the authorities at the very least would be very understanding. Even when you’re talking about someone the public cannot stand I just don’t see how someone would take what Kraven says about his intentions to kill Spider-Man and be all right with it. Yeah, you’re going to get a few morons who would love to watch it happen but maybe it is me being naive but I still think most folks are decent people that despite having a personal hatred for someone in the news they don’t know they would not want to wish death upon them.

I also have a problem with the idea that Kraven would be directed by a personal manager to do this. The original comics present Kraven as more of an evil big time hunter. He’s not a star of any sort, just someone that is Russian and likes to kill. The idea that a hunter who has no problem attempting to kill humans is not only a television star but is liked by people nationwide for his show and have no problem with his murderous ambitions is something that is too far fetched for me. I like the Kraven character. I could do without this version of the character.

We get a little more information about Justin Hammer, enough to let us know that Norman Osborne has a rival for world’s worst fictional rich man. It seems that Spider-Man’s rogues gallery in this universe are pretty much created by Mr. Hammer or have been in his acquaintance. We find that Electro had been created by Justin Hammer and sold to Wilson Fisk. We get a video shot of Flint Marko, The Sandman, in a bizarre state. As The Sandman, he has the power to turn to sand. Being that he is still in the early stages of being experimented on, we see him in an unstable state. There’s definitely more to come here.

Mr. Hammer is off to a speech to announce the opening of his new energy station that will save New York billions. While he’s giving a speech there is a giant television screen behind him showing the inside of the station. While Hammer is giving his speech, Doctor Octopus comes on screen and kills everyone. At the same time Peter and class are in an assembly when the Principal tells everyone what is happening after the authorities told him to tell the students for some reason. Yes, we needed to have Peter finally confront Doctor Octopus but if you’re going to do that at least have it set after Peter gets out of school when it would be more realistic a time for them to face off. Having the principal announce it for no real reason was just dumb. Yes, if it is at an energy station which contains some hazardous material but being that the principal did not announce that the authorities were concerned about a possible chemical leak but just warning them to keep inside due to a bit of “trouble” in town. Bendis may as well come out and said “I’m looking for an excuse for Peter to confront Doctor Octopus but I can’t think of something right now.”

At the station Doctor Octopus is not really doing much of anything. Sure, he murdered some folks but why? They don’t answer the why of what  is motivating Doctor Octopus to perform the crimes he is performing. There has to be a reason for him to want to take over this station other than he is crazy. With that being said, the last panel, where Spider-Man and Doc Ock meet makes up for most of this with a funny intro.

Bottom Line:

This is not a bad issue. It does a lot to address some of the concerns I had about the previous issue. I still contend that these issues SHOULD have been dealt with during the last issue or sooner, it is about time we know a little bit more of what is going on.

Now some may argue that I should wait to comment until I complete the story, keep in mind you’re missing the point of my reviews. Exploring how a story progresses issue by issue is a great way to examine a long form story as a whole. Like with reading a book, not every chapter will win you over as the best chapter in a book but if the author does their job, they will definitely get you to appreciate everything together. With that said, there is much to learn for any writer by studying individual chapters and see how a writer builds a story from the first step to the last. You will get a chance to see what works and what fails along your trail. In the end, you will know what works and hopefully be able to  avoid those pitfalls yourself. Even if your opinion of a work is mere subjective opinion, which my critique is, when you write, you write for yourself. If you think something is done incorrectly, then follow that rule for your own work. I certainly reserve the right to be critical of Mr. Bendis’s work but fully understand that these are my opinions and my opinions alone. Even though I may not care for certain issues, the stories as a whole are well done. Brian Bendis is one of my favorite comic writers for this reason.

Ultimate Spider-Man #16

   When you’re exploring the mind of a madman as a writer, you walk a fine line of making the madness something folks can relate to in some way which makes the character that much more frightening to the reader or you make his ramblings so incoherent that you don’t know what the hell is going on so you end up losing interest in the story. The problem I am seeing with Doctor Octopus in the story two date is a little two fold. One, we don’t have much to base his character on. We had a brief introduction to him when Peter toured the Osborn facility and he stole some of Peter’s blood. From there we see him involved in the explosion at the labs which he spends time in a government hospital for and now he is cuckoo bananas. We as readers are not going to like every character we see but we have to have some sort of reaction to them. For Doctor Octopus, I am not having that reaction. Any sort of feelings I have for the character are more related to his status as a villain in the original Spider-Man universe (Marvel Universe 616 for you nerds out there).   Doc Ock is currently having issues remembering his past which brings him to the home of some other rich industrialist. It is implied that Otto had been giving the person who owned that room industrial secrets from Osborn Labs. That is fine and all but it doesn’t do much to explain what is really going on because again, we’ve not spent too much time with this character to really know what motivates him.

   Think of Star Wars: The Phantom Menace. The big badass of the film was Darth Maul. A part from having a cool look and being a part of a great fight scene, what do we know about him? No, we don’t need to know his whole life story but what motivates him? Why is he a Sith? What brought him to be aligned with Darth Sidious? We don’t know this information. We’re expected to not like the guy because he’s wearing black and he has horns. That is not the way to give us a bad guy in a story. We have to know what motivates him. Even if that motivation is based on incorrect information of if the guy just loves being evil, knowing the motivation for why they are bad is key to making us as the audience have the reaction the writer wants us to have in the story. In the case of a movie there can be some cheats of course which comics can replicate in a sense two since they both involve visual and written arts together. But making a guy look bad is not the way to set him up for you audience to accept him as bad. They just may think he’s an idiot.

   We get our first official introduction to SHIELD in this issue. Turns out the room that Doc Ock trashed was owned by one Justin Hammer. Folks that are fans of the Marvel Cinematic Universe will recognize that name of course since Justin Hammer, played by the great Sam Rockwell, played a younger version of the character in that movie. This character will end up having the same type of values as the movie version but since we are just meeting him here we don’t know that. He’s just a very important business man that has enough clout that he can discuss top secret information with SHIELD agents.

   It is interesting that our first introduction to SHIELD is clouded. The casual Marvel fan will probably have nothing but good things to say about the organization what with the characters they see on a regular basis like Nick Fury, Agent Coulson, Agent May, and others but here we’re not quite sure where SHIELD stands. If they’re talking to someone who has been involved in corporate espionage they themselves may not be an organization that we should trust. I like that they kept the agents appearance so ambiguous.

   We do get a little follow up with Gwen Stacy this issue. Her motivation for pulling the knife on Kong is that no one was helping Peter after Kong kicked him. She wanted to help him out, especially since she stated she thought he was cute. That is nice and all but as I stated in my previous review, her actions are quite ridiculous for what the situation asked for. I mean, she saw that Peter and Kong earlier had been having a conversation about mutants that didn’t result in Kong kicking Peter’s ass so her reaction was quite stupid if you ask me. Not that it is bad that she defended someone but you would think there were any number of ways that she could have responded that didn’t involve recreating the fight scene from West Side Story.

Bottom Line:

   It is my job to critique. Just because I look for things that may not have gone right in a story doesn’t mean I didn’t enjoy the work. This story was pretty damn good considering some of the areas that I felt Bendis failed with. My biggest issue overall has to do with the sheer lack of information we have about Doctor Octopus. He’s killed a few people so sure he’s a bad guy but as of now we don’t have any motivation apart from insanity that is driving him to do what he is doing. The original Doctor Octopus was very much insane as well after enduring a nuclear accident but you did get the impression that, no matter how wrong his motivation was, that he had something he was working towards. He had a goal. He had motivation. So far, Doc Ock in the Ultimate universe does not have that motivation.

   The art work this issue was nothing to write home about but it wasn’t bad. I would call it average. It didn’t do anything amazing that really stood out but it kept the story chugging along without too much distraction.

Ultimate Spider-Man #14

Contrast. Showcasing the differences between two different scenarios. This issue we see Peter becoming comfortable being Peter with the contrasting story of the birth of one of his newest antagonists.

The new villain in question is Doctor Octopus. We’d briefly met him when he was one of Norman Osborne’s scientists sneaking a blood sample from Peter when Harry brought him on a tour of his father’s facility. Now he wakes up in an anonymous government facility (SHIELD maybe?) with the tool he used for experiments permanently attached to his body.

One part of the birth of Doctor Octopus that I enjoyed was the fact that there is some sympathy on our part as readers for his plight. The government agency in question that had been keeping him apparently had the ability to remove the device that was fused to his body but thought it would be more interesting to see what would happen if it stayed there. I like the fact that in this run you see that the creation of some villains like Doc Ock are caused by forces that would normally be considered the good guys. If a government agency were to pull you from an industrial accident and experiment on you, would you think all was all right or would you be rightfully pissed and looking for the first neck to snap? It doesn’t excuse the behavior of these folks after the fact but seeing that they have some reason for being as angry and evil as they are is refreshing to see.

I think the best advice I ever received in regards to antagonists was to have a bad guy who truly believes he is right in what he is doing. Objectively, they may be handling things the wrong way but there has to be some level of truth in why the bad guy is pissed. In this case, Doctor Octopus is very much upset that the government, instead of saving him, decided it was a ok to experiment on him, turning him into a mutation of humanity. This is a strong set up for the character. You have just a little bit of sympathy added into the bad guy mix which makes him a much more nuanced character than the mustache twirling bad guy.

I also enjoyed the scenes with Peter. He’s enjoying himself more at school it seems and is not the habitual loser he once was. He may not be captain of the team or that level of high school cool but people dig him.

His time at school did start a discussion that will be an ongoing thread in the Ultimate line of books when it comes to mutants. People are scared of them despite there being evidence that apart from a few bad seeds, mutants are there to help and are just regular people with a little bit of extra something added in. They get into a discussion as to whether they should watch the mutants just in case they decided to rise up or something.

Being that this series was born right around the time of 9/11, there are some definite parallels between mutants in this story and how Muslims have been treated in this country since that horrible day. Like the mutants in the story, Muslims have had to deal with an obscene amount of scrutiny from people due to the actions of a small group of people that really don’t represent Muslims as a whole. Yet due to people in power using Muslims and the Islamic religion as a scapegoat to maintain their level of power, you have incident after incident around the world today where honest, average practitioners of the Islamic faith are being targeted and attacked, whether it be through their Mosque’s being burned to the ground, physical attacks from unruly mobs, or the recent news of an Islamic family from the UK denied access to America when all they wanted to do was visit Disneyland for a vacation.

Wanting to stop bad people from doing bad things is not a bad thing. When your definition of bad people includes entire religions, you’re taking everything over the line. It makes me think of people that are suddenly experts on Islam after reading a meme on Facebook that was all of three sentences long. What we’re seeing today is reminiscent of what Jews had to go through during World War Two, what African Americans had to deal with in this country since they pretty much forcibly set feet here. When people get scared they want someone to blame for their problems. When you see someone that is different from you, different simply because they look different or have different beliefs than you, it is easy to marginalize them, make them less human. If people actually took the time to realize that when it comes to Islam and terrorism that there are people very much like your Jim Jones’s of the world who would more than love to manipulate a religious text for their own nefarious means, they may step back and look at everything more objectively. We would see what is really going on with a small group of douche bags that are no more representative of their faith than the Ku Klux Klan or the Westboro Baptist Church are representative of Christianity and offer our support and care for people that are just looking to live their lives and raise their families in peace. When you do the polar opposite and think every member of that group beliefs the ramblings of a small group of madmen, you sow the seeds of animosity and anger that will lead to much worse than we’ve seen today and frankly with how the United States has treated people of the Islamic faith over the past 14 plus years, we will deserve any bit of anger that comes our way.

Bottom Line:

We’re past the growing pains. Peter Parker has pretty much all the kinks out of his system and he is ready to be the Spider-Man we all know and love. Little does he know that he has a threat coming his way that will test every bit of strength he thinks he has. I can’t wait.

I also can’t wait for more Gwen Stacy. Gwen was Peter’s first major love in the original comics so it was only a matter of time before she arrived. She had one scene where she offered her thoughts on the discussion Peter and Kong were having but she definitely made an impact. With the outfit she was wearing alone, folks will not forget her anytime soon. Her father already had a small cameo when he interviewed Peter after Uncle Ben’s death so rest assured we will see him again.

One little knock I have against her outfit was that how Mark Bagly drew her, I thought of this Olivia Newton John from Grease. I almost expected Peter to break out in song and they both drive off into the sunset together.

One other neat little piece of business had to do with Kong. The last couple pages of the comic deal with him simply sitting back on his couch thinking about past events. His mind turns to Peter Parker and after some deep thought of recent events he comes to the realization that Peter Parker is Spider-Man. I liked seeing this because what I didn’t want in the Ultimate line of comics was the Lois Lane effect. When you have characters that normally should be smart as a whip yet don’t see the obvious that is right in front of their faces about the identity of of someone really is, it makes you question the intelligence of everyone involved. I am definitely excited to see where this goes in future issues.