The Avengers #1

I’ve decided to change things up a bit. For a while I tried reading the first thing that interested me on a particular day. Then I went through the Spider-Island story. From there I’ve been reviewing Ultimate Spider-Man. While I am loving the Ultimate run, I do see the need to kind of have some variety. As the old saying goes, you can’t live on bread, or just Spider-Man alone. So with that, I’m going to have a schedule.

  1. Sunday-The Amazing Spider-Man
  2. Monday-Civil War
  3. Tuesday-Age of Apocalypse
  4. Wednesday-Death of Wolverine
  5. Thursday-Ultimate Spider-Man
  6. Friday-Fear Itself
  7. Saturday-The Avengers

This of course will be subject to change. Whether it be boredom or finishing up a particular story line, there will be times I shift to another series or event story. In the end, I think this will give me the variety I want plus more exposure to more writers and artists.

So what is there to say about The Avengers? For one, I really enjoyed how the backbone of the story has stayed pretty consistent throughout the years. There have been changes of personnel and relationships among the group have changed over time but the basic premise for the story has stayed surprisingly consistent. Contrast that with DC Comics titles from this time the you’d be hard pressed to find a story that bears any resemblance to their modern counterparts.

To me this speaks well to the genius of Stan Lee and the other contributors at Marvel. The only reason I single Stan out of course is that he’s pretty much the figure head for the writers and artists that Marvel have employed throughout the years. And for the longest time Stan was the man behind the words in all the comics Marvel put out which, even using the Marvel Method (where Stan would provide an artist a basic story outline, the artist would draw the entire comic, then Stan would furnish the story for the written work), is an amazing feat we won’t see from a major comics publisher again.

So what works in this issue? To me, it boils down to simplicity. A bad guy, Loki, wants to fight Thor, frames the Hulk for a crime he didn’t commit, and inadvertently gets a number of other heroes on his case before he is ultimately defeated. While it goes without saying that you would probably get a much deeper appreciation for the story if you have read the stand alone issues for each of these characters, another wonderful part about The Avengers is that the story for the most part stands alone. Prior knowledge of events that happened in other comics is not needed to enjoy what is happening, yet you will find plenty of editor’s notes indicating which comics in question you can read to find out the back story you may be interested in.

One character I haven’t really gotten used to is The Hulk. I will admit that this is because I grew up on the old Incredible Hulk television show which for my money is still one of the best comic book shows ever made. Since getting back into reading comics, I have found it quite strange to see the Hulk more cantankerous than I remember him to be. And the Hulk talking? Come on. To be clear, that doesn’t mean I don’t like the Hulk in this. Apart from him suddenly joining the team after being hounded by them all issue, he’s a wonderful character that I want to see more of in this story.

The only real complaint I have about this issue is Stan’s penchant for filling the pages up with as much text as possible. I fully appreciate that this story was written at a time where most folks were still used to radios being the main form of entertainment even though by this time radios were pretty much being regulated to a secondary entertainment tool in the home. The story comes across like a radio play. I found myself annoyed at some instances where Stan is describing what is going on when there was no need to do so because the art clearly showed what was going on. Again, this comic was a product of its age. If the comic were written today it would be much different. (As evidenced by this great reimagining from Joe Casey and Phil Noto.) Despite that, the story holds up incredibly well. The flaws for the most part add charm to the story because it is very much the type of feeling you get when a team gets together for the first time.

Bottom Line:

This is a must read. That goes without saying. This issue is one of a few issues in comics history that stand as a true corner stone of what make comics great. While Joss Whedon didn’t follow this comic at all when he created the first Avengers movie, I was surprised at how much of a spiritual remake of the comic that movie was.

The art work is crude by today’s standards but make no mistake, most artists wish they could achieve a tenth of what Jack Kirby created. While images have gotten more streamlined and outfits of our heroes have changed over time, you’d be hard pressed to find anyone who wouldn’t say these characters are the same as the ones in the comics today.

Interestingly, you can also say this was the time where the Fantastic Four handed over the mantle of Marvel’s most important team. Spider-Man and to a lesser extent Wolverine and The Punisher, may be the money cows of Marvel. For my money, The Avengers teaming up was the most important act Marvel could have made during this time even though admittedly if it weren’t for a little team at DC called The Justice League, who knows if The Avengers, Earth’s Mightiest Heroes, would have heeded the call and joined together.

Marvel’s Jessica Jones #1

Jessica Jones

Steven Spielberg recently talked about superhero movies and said that they will go the way of the western eventually. If you read his comment in full, and respect his status in Hollywood, you’d know that he is absolutely right. Something new will eventually come along that will entrance the public and superhero movies will take a much needed break. Everything has a saturation point. Too much of it and you will get tired of it. Like when I had my free trial to Apple Music and used Siri to make a playlist based on the top twenty hits from the year I was born. I had to explain to my kids what disco when they were taking a breath from laughing. Disco music in and of itself is not bad. There are some real gems that are still great to listen to, plus it helped influence The Rolling Stones with one of their biggest hits off their Some Girls album, Miss You. But much like Disco had its day where people finally had enough (and then the songwriters of disco went to work with country pop singers like Kenny Rogers and Dolly Parton but that’s another story.), superhero movies will slow to a crawl in terms of being made.

Until then, we’re still in a golden age of story telling if you like comic book stories. Once technology caught up with the imagination of comic book creators, it really opened the flood gate as to what could be done with movies. DC had massive hits in the 70’s and 80’s with Superman and Batman. Those two stories though could reasonably be told without too much in the way of special effects. Marvel for the longest time couldn’t catch a break. Apart from The Incredible Hulk and their cartoon line ups, they couldn’t get Hollywood to really use their stories in the right way. If you ever caught the 70’s Spider-Man television show you’d see how right I was. Or the Captain America movie starring JD Salinger’s son.

That movie alone was probably the death knell of a company that had no business making comic book movies. 21st Century Film Corporation made the film, that company being run by the former owner of Cannon Films, the makers of cinematic classics like Masters of the Universe, Superman IV: The Quest for Peace (You know a movie is bad when on the director’s commentary for the movie, the first thing the writer of the film does is apologize to the audience for making a bad movie.) I remember watching a movie at the local theater when I was a kid and saw this teaser.

By today’s standards, yeah it’s cheesy. But in late 1989 this was a pretty bad ass way to get a young kid excited for a movie. Then…the movie never came to theaters in my town. I should thank them for that.

It wasn’t until Blade and X-Men that Marvel stories were finally translated to the screen in all their glory. Some movies may not stand the test of time (I’m looking at you all iterations of Fantastic Four) but they’re better than Captain America from 1990 or other earlier attempts at making cinematic Marvel movies.

Once Marvel got their act together they decided it would be wise to be the controlling destiny behind the movies based on their intellectual properties. And why not. For every Spider-Man that was made, there was an Ang Lee Hulk movie that didn’t quite get it right. So they made their own production company and movie history was born. They have been able to seamlessly blend their characters into one shared universe. While you don’t have to watch every single movie to get what is going on, you can get more from your experience if you do so. Now they’ve branched into television. That started with Agents of SHIELD. Then they made the bold move to make Netflix shows.

Daredevil is the first of a planned group of shows that will culminated in an Avengers like television show called The Defenders. We’re going to get Daredevil (and The Punisher which I am squealing like a little girl about!), Jessica Jones, Luke Cage, and Iron Fist. There’s already talk of more shows on the way as well. Maybe a Fantastic Four television show anyone?

Jessica Jones in the second show from them which will debut in November. The trailers have been great, especially this one.

Everything you need to know about the character is in that teaser. And you don’t even see her face.

This comic is a brief teaser for the new show. It’s really just a scene, a study of her character. She meets up with Turk, who was a minor bad guy in Season 1 of Daredevil who is recuperating from a beating he took at the hands of Daredevil. Jessica sneaks her way past the police and confronts him about back child support and tells him he should be more of an influence in his children’s lives. Yeah, she’s not delusional and doesn’t think for a minute he will listen. Which is why she steals the money he had left in his wallet and takes off. Simple scene really. But it goes a long way to show what motivates her.

I am really excited for the show and can’t wait for November to get here. Marvel has done some amazing work in getting lesser known characters into the public eye. While big names will always rule the roost, for Marvel to continue to be successful they have to make their entire catalog palatable for the public. Before Guardians of the Galaxy came out internet message boards were claiming that would be the first Marvel failure because who would want to see a movie involving characters you know nothing about? Marvel’s secret? Make a damn good story with characters people can relate. Easier said than done to be sure but Marvel has done a fantastic job in using their lesser known characters than DC which still wants to rely upon the big two, Batman and Superman, to get people into the movie theater.

This issue is a must read. It’s another great tease on what I am sure will be a great show. And hey, we’ll finally have an American made show that will allow folks to see David Tennant show his acting chops on that people will actually watch.